Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Here are all the paintings of TRAVERSI, Gaspare 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
62367 Finding of Moses TRAVERSI, Gaspare Finding of Moses 122 x 152 cm Private collection Diziani, who painted narrative (biblical and mythological) scenes, treated this subject several times. Author: DIZIANI, Gaspare Title: Finding of Moses , 1701-1750 , Italian Form: painting , religious
81578 Portrat des Fra Raffaello da Lugagnano TRAVERSI, Gaspare Portrat des Fra Raffaello da Lugagnano ca. 1750(1750) Medium Oil on canvas Dimensions 38 x 26 cm cyf
81572 Salome mit dem Haupt Johannes des Taufers TRAVERSI, Gaspare Salome mit dem Haupt Johannes des Taufers ca. 1760(1760) Medium Oil on canvas cyf
40566 The Drawing Lesson TRAVERSI, Gaspare The Drawing Lesson mk156 c.175 Oil on canvas 161.7x204cm
9377 The Drawing Lesson aet TRAVERSI, Gaspare The Drawing Lesson aet c. 1750 Oil on canvas, Nelson-Atkins Museum of Art, Kansas City
40563 The Music Lesson TRAVERSI, Gaspare The Music Lesson mk156 c.1750 Oil on canvas 152x204.6cm
97182 The Seduction TRAVERSI, Gaspare The Seduction circa 1752(1752) Medium oil on canvas Dimensions 35.5 X 43 in cyf
9378 The Sitting qt TRAVERSI, Gaspare The Sitting qt 1754 Oi on canvas, 99 x 130 cm Mus??e du Louvre, Paris

TRAVERSI, Gaspare
Italian Painter, ca.1722-1770 Italian painter. He was apprenticed to the elderly Francesco Solimena, whose late style, a reinterpretation of the Baroque art of Mattia Preti, influenced his earliest works. At the same time he studied the naturalist painters of the 17th century: Preti himself, Giovanni Battista Caracciolo, Jusepe de Ribera, Filippo Vitale and Francesco Fracanzano. Classical art also attracted him, and in the 1740s he began to make journeys to Rome to study the influential works of Bolognese and Roman classicism: paintings by Guido Reni, Guercino and the Carracci family, and by Carlo Maratti. During one of these visits he copied two pictures by Maratti, then in S Isidoro, Rome: the Flagellation and a Crucifixion . In the following year he was in Naples; three canvases of scenes from the Life of the Virgin (Naples, S Maria dell'Aiuto), one of which is signed and dated 1749
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